The Social Cancer: A Complete English Version of Noli Me Tangere
carefully with both hands, but by chance she had met her sweetheart,
who tried to take advantage of the situation.
The teniente-mayor, Don Filipo, presided over the show, as the
gobernadorcillo was fond of monte. He was talking with old Tasio. "What
can I do? The alcalde was unwilling to accept my resignation. 'Don't
you feel strong enough to attend to your duties?' he asked me."
"How did you answer him?"
"'Señor Alcalde,' I answered, 'the strength of a teniente-mayor,
however insignificant it may be, is like all other authority it
emanates from higher spheres. The King himself receives his strength
from the people and the people theirs from God. That is exactly what
I lack, Señor Alcalde.' But he did not care to listen to me, telling
me that we would talk about it after the fiesta."
"Then may God help you!" said the old man, starting away.
"Don't you want to see the show?"
"Thanks, no! For dreams and nonsense I am sufficient unto myself," the
Sage answered with a sarcastic smile. "But now I think of it, has your
attention never been drawn to the character of our people? Peaceful,
yet fond of warlike shows and bloody fights; democratic, yet adoring
emperors, kings, and princes; irreligious, yet impoverishing itself
by costly religious pageants. Our women have gentle natures yet go
wild with joy when a princess flourishes a lance. Do you know to what
it is due? Well--"
The arrival of Maria Clara and her friends put an end to this
conversation. Don Filipo met them and ushered them to their
seats. Behind them came the curate with another Franciscan and some
Spaniards. Following the priests were a number of the townsmen who
make it their business to escort the friars. "May God reward them
also in the next life," muttered old Tasio as he went away.
The play began with Chananay and Marianito in _Crispino é la
comare_. All now had their eyes and ears turned to the stage, all but
one: Padre Salvi, who seemed to have gone there for no other purpose
than that of watching Maria Clara, whose sadness gave to her beauty an
air so ideal and interesting that it was easy to understand how she
might be looked upon with rapture. But the eyes of the Franciscan,
deeply hidden in their sunken sockets, spoke nothing of rapture. In
that gloomy gaze was to be read something desperately sad--with such
eyes Cain might have gazed from afar on the Paradise whose delights
his mother pictured to him!
The first scene was over when Ibarra entered. His appearance caused a
murmur, and attention was fixed on him and the curate. But the young
man seemed not to notice anything as he greeted Maria Clara and her
friends in a natural way and took a seat beside them.
The only one who spoke to him was Sinang. "Did you see the
fireworks?" she asked.
"No, little friend, I had to go with the Captain-General."
"Well, that's a shame! The curate was with us and told us stories
of the damned--can you imagine it!--to fill us with fear so that we
might not enjoy ourselves--can you imagine it!"
The curate arose and approached Don Filipo, with whom he began an
animated conversation. The former spoke in a nervous manner, the
latter in a low, measured voice.
"I'm sorry that I can't please your Reverence," said Don Filipo,
"but Señor Ibarra is one of the heaviest contributors and has a right
to be here as long as he doesn't disturb the peace."
"But isn't it disturbing the peace to scandalize good Christians? It's
letting a wolf enter the fold. You will answer for this to God and
the authorities!"
"I always answer for the actions that spring from my own will, Padre,"
replied Don Filipo with a slight bow. "But my little authority does not
empower me to mix in religious affairs. Those who wish to avoid contact
with him need not talk to him. Señor Ibarra forces himself on no one."
"But it's giving opportunity for danger, and he who loves danger
perishes in it."
"I don't see any danger, Padre. The alcalde and the Captain-General,
my superior officers, have been talking with him all the afternoon
and it's not for me to teach them a lesson."
"If you don't put him out of here, we'll leave."
"I'm very sorry, but I can't put any one out of here." The curate
repented of his threat, but it was too late to retract, so he made
a sign to his companion, who arose with regret, and the two went
out together. The persons attached to them followed their example,
casting looks of hatred at Ibarra.
The murmurs and whispers increased. A number of people approached
the young man and said to him, "We're with you, don't take any notice
of them."
"Whom do you mean by _them?_" Ibarra asked in surprise.
"Those who've just left to avoid contact with you."
"Left to avoid contact with me?"
"Yes, they say that you're excommunicated."
"Excommunicated?" The astonished youth did not know what to say. He
looked about him and saw that Maria Clara was hiding her face behind
her fan. "But is it possible?" he exclaimed finally. "Are we still
in the Dark Ages? So--"
He approached the young women and said with a change of tone, "Excuse
me, I've forgotten an engagement. I'll be back to see you home."
"Stay!" Sinang said to him. "Yeyeng is going to dance _La
Calandria_. She dances divinely."
"I can't, little friend, but I'll be back." The uproar increased.
Yeyeng appeared fancifully dressed, with the "_Da usté su
permiso_?" and Carvajal was answering her, "_Pase usté adelante_,"
when two soldiers of the Civil Guard went up to Don Filipo and ordered
him to stop the performance.
"Why?" asked the teniente-mayor in surprise.
"Because the alferez and his wife have been fighting and can't sleep."
"Tell the alferez that we have permission from the alcalde and that
against such permission _no one_ in the town has any authority,
not even the gobernadorcillo himself, and _he_ is my _only superior_."
"Well, the show must stop!" repeated the soldiers. Don Filipo turned
his back and they went away. In order not to disturb the merriment
he told no one about the incident.
After the selection of vaudeville, which was loudly applauded,
the Prince Villardo presented himself, challenging to mortal combat
the Moros who held his father prisoner. The hero threatened to cut
off all their heads at a single stroke and send them to the moon,
but fortunately for the Moros, who were disposing themselves for
the combat, a tumult arose. The orchestra suddenly ceased playing,
threw their instruments away, and jumped up on the stage. The valiant
Villardo, not expecting them and taking them for allies of the Moros,
dropped his sword and shield, and started to run. The Moros, seeing
that such a doughty Christian was fleeing, did not consider it improper
to imitate him. Cries, groans, prayers, oaths were heard, while the
people ran and pushed one another about. The lights were extinguished,
blazing lamps were thrown into the air. "Tulisanes! Tulisanes!" cried
some. "Fire, fire! Robbers!" shouted others. Women and children wept,
benches and spectators were rolled together on the ground amid the
general pandemonium.
The cause of all this uproar was two civil-guards, clubs in hand,
chasing the musicians in order to break up the performance. The
teniente-mayor, with the aid of the cuadrilleros, who were armed
with old sabers, managed at length to arrest them, in spite of their
resistance.
"Take them to the town hall!" cried Don Filipo. "Take care that they
don't get away!"
Ibarra had returned to look for Maria Clara. The frightened girls clung
to him pale and trembling while Aunt Isabel recited the Latin litany.
When the people were somewhat calmed down from their fright and had
learned the cause of the disturbance, they were beside themselves
with indignation. Stones rained on the squad of cuadrilleros who were
conducting the two offenders from the scene, and there were even those
who proposed to set fire to the barracks of the Civil Guard so as to
roast Doña Consolacion along with the alferez.
"That's what they're good for!" cried a woman, doubling up her fists
and stretching out her arms. "To disturb the town! They don't chase any
but honest folks! Out yonder are the tulisanes and the gamblers. Let's
set fire to the barracks!"
One man was beating himself on the arm and begging for
confession. Plaintive sounds issued from under the overturned
benches--it was a poor musician. The stage was crowded with actors
and spectators, all talking at the same time. There was Chananay
dressed as Leonor in _Il Trovatore_, talking in the language of the
markets to Ratia in the costume of a schoolmaster; Yeyeng, wrapped
in a silk shawl, was clinging to the Prince Villardo; while Balbino
and the Moros were exerting themselves to console the more or less
injured musicians. [112] Several Spaniards went from group to group
haranguing every one they met.
A large crowd was forming, whose intention Don Filipo seemed to be
aware of, for he ran to stop them. "Don't disturb the peace!" he
cried. "Tomorrow we'll ask for an accounting and we'll get
justice. I'll answer for it that we get justice!"
"No!" was the reply of several. "They did the same thing in Kalamba,
[113] the same promise was made, but the alcalde did nothing. We'll
take the law into our own hands! To the barracks!"
In vain the teniente-mayor pleaded with them. The crowd maintained its
hostile attitude, so he looked about him for help and noticed Ibarra.
"Señor Ibarra, as a favor! Restrain them while I get some
cuadrilleros."
"What can I do?" asked the perplexed youth, but the teniente-mayor was
already at a distance. He gazed about him seeking he knew not whom,
when accidentally he discerned Elias, who stood impassively watching
the disturbance.
Ibarra ran to him, caught him by the arm, and said to him in Spanish:
"For God's sake, do something, if you can! I can't do anything." The
pilot must have understood him, for he disappeared in the crowd. Lively
disputes and sharp exclamations were heard. Gradually the crowd began
to break up, its members each taking a less hostile attitude. It was
high time, indeed, for the soldiers were already rushing out armed
and with fixed bayonets.
Meanwhile, what had the curate been doing? Padre Salvi had not gone
to bed but had stood motionless, resting his forehead against the
curtains and gazing toward the plaza. From time to time a suppressed
sigh escaped him, and if the light of the lamp had not been so
dim, perhaps it would have been possible to see his eyes fill with
tears. Thus nearly an hour passed.
The tumult in the plaza awoke him from his reverie. With startled
eyes he saw the confused movements of the people, while their
voices came up to him faintly. A breathless servant informed him
of what was happening. A thought shot across his mind: in the midst
of confusion and tumult is the time when libertines take advantage
of the consternation and weakness of woman. Every one seeks to save
himself, no one thinks of any one else; a cry is not heard or heeded,
women faint, are struck and fall, terror and fright heed not shame,
under the cover of night--and when they are in love! He imagined
that he saw Crisostomo snatch the fainting Maria Clara up in his
arms and disappear into the darkness. So he went down the stairway by
leaps and bounds, and without hat or cane made for the plaza like a
madman. There he met some Spaniards who were reprimanding the soldiers,
but on looking toward the seats that the girls had occupied he saw
that they were vacant.
"Padre! Padre!" cried the Spaniards, but he paid no attention to
them as he ran in the direction of Capitan Tiago's. There he breathed
more freely, for he saw in the open hallway the adorable silhouette,
full of grace and soft in outline, of Maria Clara, and that of the