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The World of Homer

Andrew Lang

son, collected and arranged in a certain order the Homeric poems. The earliest and only good evidence, says Mr. Monro, with regard to the recitation of Homer at Athens, is that of two orators two centuries later than Pisistratus, Lycurgus and Isocrates. The former said in a speech "Our fathers thought Homer such a good poet that they made a law for him alone among poets that his poems should be recited by rhapsodists at every quinquennial holding of the Panathenaea."[4] No date is given, but Lycurgus must apparently be thinking of a date prior to Tyrtaeus, as we shall see later. When Lycurgus says that the poems of Homer alone were to be recited at the festival, he is of so late a date that he probably means the Iliad and Odyssey. If the Act were made in Solon's time, "Homer" may conceivably include all heroic epic poetry. We know nothing about it. Isocrates[5] says that the ancestors of the Athenians "desired to make Homer's art honoured, both in contests of music (i.e. of the reciters) and in the education of the young" (Monro, _Iliad_, vol. i. p. 15). Still later, in a passage with an important lacuna, Diogenes Laertius says that Solon passed a law regulating the recitations,[6] the very law which is attributed to Hipparchus by the author of the Dialogue of that name.[7] In Sicyon also, in the sixth century, there were recitations of Homer by competing rhapsodists; they were put down by the tyrant Cleisthenes.[8] Mr. Monro says that for the existence of an Athenian law about Homeric recitations, whatever the date of that law may have been, we have historical testimony. Indeed, if there were no such law, even rhetoricans of the fourth century could scarcely tell the Athenians that such a law existed. But as to its date and scope, and the name of the statesman who passed it, if any exact information had existed, perhaps there might have been some agreement among the persons who speak of it. If nothing like a History of Literature existed before the fourth century, we can expect no information. If it did exist, it was of no value to Ephorus, Heracleides, and the author of the _Hipparchus_. They are all at odds. Mr. Monro says, as every man trained in historical criticism must say, "modern scholars have tried to harmonise these notices, and to assign to (the Spartan) Lycurgus (named by Ephorus), Solon (named by Diogenes Laertius)," Pisistratus, and Hipparchus their several shares in the service done to Homer. "This would be legitimate if there were reason to regard any of the notices as historical. But, in fact, they are merely mythical anecdotes, supplemented by the guesses of scholars."[9] Whatever Homeric critics may think, they will find no trained historian to dissent from Mr. Munro on those points. _Historia silet_! History is mute. We only know that from an uncertain period there were quinquennial recitations of "Homer," and Homer alone, at Athens, and that "Homer" was used in education. Beyond that all is "guesses of scholars." These guesses vary according to the taste and fancy of the learned. In this conclusion every one who is accustomed to historical criticism will agree with Mr. Monro. Nothing can be made out of late and contradictory statements; nothing beyond the fact that "Homer" (whatever may be meant by "Homer") was quinquennially recited, under regulations, at Athens, and entered into public education. Mr. A. W. Verrall, however, says: "In general, the very last thing that we get from disputants on either side is an exact construction and estimation of what, truly or falsely, is recorded about the history of Homer." Mr. Verrall writes thus in a _Quarterly_ review of Mr. Murray's _Rise of the Greek Epic_, and of my _Homer and his Age_. The questions as to what is "recorded" about "the history of Homer," I had treated in my _Homer and the Epic_ (pp. 35, 38, 67-70), examining the evidence, such as it is, and the opinions of Wolf, Ritschl, and others; and siding with Mr. Monro (I may add, with Blass, Meyer, Nutzhorn, Mr. T. W. Allen, and many others). In _Homer and his Age_ (pp. 46-50), I again went over the old ground, in reference to Mr. Leaf's changes of opinion. Mr. Verrall writes:[10] "The texts, as we have said, are not treated fairly." Now really the texts are treated as the historian treats all texts that come into his province. The dates of the alleged events are set beside the dates of the texts concerning them; the texts are remote, contradictory, and unevidential; the best historians, and the historian who most carefully examined the popular traditions concerning Pisistratus and his sons, namely, Thucydides, say nothing about the alleged events. Mr. Verrall also writes: "The record, such as it is, is hardly ever correctly represented. The most punctilious of scholars (Grote, for example) are in this matter not to be trusted."[11] These are severe reproaches! Mr. Monro is not mentioned: are any of his remarks unfair and untrust-worthy? Mr. Verrall says: "We cannot but think that the ancient record about the origin of Homer suffers unfairly from certain prepossessions which all would disclaim, but which are more easily disclaimed than abandoned." For me, I frankly confess my own prepossessions, but consciousness of his bias is the safeguard of the historian; it compels him to make certain that he adds nothing to and takes nothing from what Mr. Verrall calls "the ancient record," and _I_ call "the various ancient legends." Mr. Verrall insists that "internal evidence about the history of a book, if not controlled by record, is liable to infinitely elastic interpretation." Certainly, but there is no possibility of "control by record" in the case of the history of the Homeric poems. No historian can agree with Mr. Verrall that "as a matter of record and apart from inference or hypothesis, this Homer of ours ... appears as an artificial product of scholarship, the result of a critical process."[12] It is he who insists on the technical term "record"; it is not pedantic, therefore, to reply that "record" there is none. By "record" Mr. Verrall seems to mean, as regards the "artificial product of scholarship," a statement of opinion made five centuries after the alleged events. The first testimony, or "record," cited by Mr. Verrall has nothing to say about our Homer as "an artificial product of scholarship." It deals merely with the legalised recitation of Homeric poetry, and of that poetry alone, at the Panathenaea. The text is that which Mr. Monro calls "the earliest evidence," "that of the orators Lycurgus and Isocrates," in the fourth century. That is good evidence. Lycurgus could not speak to the Athenians of a law which, to their knowledge, did not exist. Lycurgus, in fact, had been cajoling his Athenian audience with a set of fables about their ancestors, whose patriotism and valour in _pre-Homeric times_ he applauds. Did not Erechtheus in a war with Thrace sacrifice his own daughter in obedience to an oracle, and then defeat the invaders! For this noble action Lycurgus cites a play by Euripides, _The Erechtheus_! Lycurgus next says that Athens made a law that the poems of Homer alone should be recited at the Panathenaea; and that, encouraged by the patriotism ascribed by the poet to Hector, the Athenians, in the Persian affair, were ready to die, not for their city only, but for all Hellas. Such men were the Athenians, in public and private life: then comes the story of the Spartans borrowing Tyrtaeus from Athens, and their approval of a Tyrtaean poem adapted in part from _Iliad_, xxii. 71 ff. That is all. Mr. Verrall writes: "By Lycurgus this whole educational movement, and the adoption of Homer as the basis of it, is attributed to the Athenians as a people...." What Mr. Verrall says about "a revolution in the method of education not less momentous than any movement in history,"[13] has, I think, but scanty warrant in the actual words of Lycurgus. It is Mr. Verrall, not Lycurgus, who compares the effect of Homer on Athens with the effect ("notorious," as he too truly says) of the Bible upon Scotland. All this about an educational movement, however true it may be, is, I fear, "inference and hypothesis" of Mr. Verrall's own. Lycurgus speaks of learning courageous patriotism from Homer, all the rest we have to assume; at least I cannot find it in Lycurgus. Mr. Verrall has next to meet the charge of contradictions among the late writers who attribute to Solon, Pisistratus, and _Hipparchus_ the law about recitations at the Panathenaea. But these texts, except the pseudo-Platonic _Hipparchus_, say nothing about Homer as "an artificial product of scholarship." Mr. Verrall declares that Lycurgus and the _Hipparchus_ say nothing about the "arrangement" of the poems, "they speak merely of adoption and compilation."[14] But Lycurgus says nothing about compilation, the Hipparchus says nothing about compilation. The _Hipparchus_ says, what Lycurgus does not say, "that _Hipparchus_, son of Pisistratus, first brought the poems of Homer to Attica, and that he obliged the rhapsodists at the Panathenaic festival to recite consecutively, so that the people might hear entire poems, and not merely passages chosen at the will of the reciter."[15] Not a word about "compilation." The Hipparchus falls into all the errors regarding the history of the Pisistradae that are pointed out by Thucydides.[16] Mr. Verrall is not lucky, he chooses a very erroneous anonymous author, and makes him speak of "compilation," which I do not see that he mentions, and calls his "no late or dubious authority."[17] Next, the _Hipparchus_ attributes to a man who might have been Solon's great-grandson the law which Diogenes Laertius attributes to Solon. Mr. Verrall palliates the contradictions in a curious way. "These ascriptions have presumably the same measure of truth as the connecting of the Reformation now with one and now writh another of the princes or statesmen of the sixteenth century."[18] I do not know what historian connects the Reformation with one statesman or prince and with one only. But the texts of Mr. Verrall attribute not a religious and political movement dating, in England, from about 1370 to--?, but a single legislative Act, to several statesmen of about four generations. They are not speaking of a prolonged "educational movement," but of one legislative Act,--about which they really know no particulars. The correct analogy to this Act is the authorisation of a translation of the Bible in England. No historian attributes that feat to any prince but gentle King Jamie: none says that it was due to Henry VIII., Edward VI., or Elizabeth. The historian cannot assume that when Diogenes Laertius attributes the law on recitations to Solon, and the _Hipparchus_ attributes it to the son of Pisistratus, both authorities mean only that a whole educational movement occurred in the sixth century. The existence of primary education in the Athens of the seventh and sixth centuries is proved by the multitude of _inscribed_ vases with paintings of Homeric, Cyclic, and Attic legends; but Diogenes and the _Hipparchus_ are speaking variously about a single legislative enactment. Mr. Verrall next supposes that the "Homer" then recited and taught at Athens was probably the whole "Cycle" of Cyclic poems.[19] This question he must settle with Mr. Murray, who, we have seen, says that the poetry selected for recitation at the Panathenaea was none but the still fluid lays of which, as I understand, our two epics are the final result; while the Cyclic poems were rejected. [1] _Prolegomena_, 2nd edition, 1859, p. 85. [2] See _Homer and his Age_, pp. 44-50. [3] _De Oratore_, iii. 34. [4] _Leocr_. p. 209. [5] _Panegyr_. c. 42.