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Timaeus

Plato

the frame of man and in the world. The apparatus of winds and waters is contemptuously rejected by him in the Phaedo, but he thinks that there is a power greater than that of any Atlas in the ‘Best’ (Phaedo; Arist. Met.). Plato, following his master, affirms this principle of the best, but he acknowledges that the best is limited by the conditions of matter. In the generation before Socrates, Anaxagoras had brought together ‘Chaos’ and ‘Mind’; and these are connected by Plato in the Timaeus, but in accordance with his own mode of thinking he has interposed between them the idea or pattern according to which mind worked. The circular impulse (Greek) of the one philosopher answers to the circular movement (Greek) of the other. But unlike Anaxagoras, Plato made the sun and stars living beings and not masses of earth or metal. The Pythagoreans again had framed a world out of numbers, which they constructed into figures. Plato adopted their speculations and improved upon them by a more exact knowledge of geometry. The Atomists too made the world, if not out of geometrical figures, at least out of different forms of atoms, and these atoms resembled the triangles of Plato in being too small to be visible. But though the physiology of the Timaeus is partly borrowed from them, they are either ignored by Plato or referred to with a secret contempt and dislike. He looks with more favour on the Pythagoreans, whose intervals of number applied to the distances of the planets reappear in the Timaeus. It is probable that among the Pythagoreans living in the fourth century B.C., there were already some who, like Plato, made the earth their centre. Whether he obtained his circles of the Same and Other from any previous thinker is uncertain. The four elements are taken from Empedocles; the interstices of the Timaeus may also be compared with his (Greek). The passage of one element into another is common to Heracleitus and several of the Ionian philosophers. So much of a syncretist is Plato, though not after the manner of the Neoplatonists. For the elements which he borrows from others are fused and transformed by his own genius. On the other hand we find fewer traces in Plato of early Ionic or Eleatic speculation. He does not imagine the world of sense to be made up of opposites or to be in a perpetual flux, but to vary within certain limits which are controlled by what he calls the principle of the same. Unlike the Eleatics, who relegated the world to the sphere of not-being, he admits creation to have an existence which is real and even eternal, although dependent on the will of the creator. Instead of maintaining the doctrine that the void has a necessary place in the existence of the world, he rather affirms the modern thesis that nature abhors a vacuum, as in the Sophist he also denies the reality of not-being (Aristot. Metaph.). But though in these respects he differs from them, he is deeply penetrated by the spirit of their philosophy; he differs from them with reluctance, and gladly recognizes the ‘generous depth’ of Parmenides (Theaet.). There is a similarity between the Timaeus and the fragments of Philolaus, which by some has been thought to be so great as to create a suspicion that they are derived from it. Philolaus is known to us from the Phaedo of Plato as a Pythagorean philosopher residing at Thebes in the latter half of the fifth century B.C., after the dispersion of the original Pythagorean society. He was the teacher of Simmias and Cebes, who became disciples of Socrates. We have hardly any other information about him. The story that Plato had purchased three books of his writings from a relation is not worth repeating; it is only a fanciful way in which an ancient biographer dresses up the fact that there was supposed to be a resemblance between the two writers. Similar gossiping stories are told about the sources of the Republic and the Phaedo. That there really existed in antiquity a work passing under the name of Philolaus there can be no doubt. Fragments of this work are preserved to us, chiefly in Stobaeus, a few in Boethius and other writers. They remind us of the Timaeus, as well as of the Phaedrus and Philebus. When the writer says (Stob. Eclog.) that all things are either finite (definite) or infinite (indefinite), or a union of the two, and that this antithesis and synthesis pervades all art and nature, we are reminded of the Philebus. When he calls the centre of the world (Greek), we have a parallel to the Phaedrus. His distinction between the world of order, to which the sun and moon and the stars belong, and the world of disorder, which lies in the region between the moon and the earth, approximates to Plato’s sphere of the Same and of the Other. Like Plato (Tim.), he denied the above and below in space, and said that all things were the same in relation to a centre. He speaks also of the world as one and indestructible: ‘for neither from within nor from without does it admit of destruction’ (Tim). He mentions ten heavenly bodies, including the sun and moon, the earth and the counter-earth (Greek), and in the midst of them all he places the central fire, around which they are moving—this is hidden from the earth by the counter-earth. Of neither is there any trace in Plato, who makes the earth the centre of his system. Philolaus magnifies the virtues of particular numbers, especially of the number 10 (Stob. Eclog.), and descants upon odd and even numbers, after the manner of the later Pythagoreans. It is worthy of remark that these mystical fancies are nowhere to be found in the writings of Plato, although the importance of number as a form and also an instrument of thought is ever present to his mind. Both Philolaus and Plato agree in making the world move in certain numerical ratios according to a musical scale: though Bockh is of opinion that the two scales, of Philolaus and of the Timaeus, do not correspond...We appear not to be sufficiently acquainted with the early Pythagoreans to know how far the statements contained in these fragments corresponded with their doctrines; and we therefore cannot pronounce, either in favour of the genuineness of the fragments, with Bockh and Zeller, or, with Valentine Rose and Schaarschmidt, against them. But it is clear that they throw but little light upon the Timaeus, and that their resemblance to it has been exaggerated. That there is a degree of confusion and indistinctness in Plato’s account both of man and of the universe has been already acknowledged. We cannot tell (nor could Plato himself have told) where the figure or myth ends and the philosophical truth begins; we cannot explain (nor could Plato himself have explained to us) the relation of the ideas to appearance, of which one is the copy of the other, and yet of all things in the world they are the most opposed and unlike. This opposition is presented to us in many forms, as the antithesis of the one and many, of the finite and infinite, of the intelligible and sensible, of the unchangeable and the changing, of the indivisible and the divisible, of the fixed stars and the planets, of the creative mind and the primeval chaos. These pairs of opposites are so many aspects of the great opposition between ideas and phenomena—they easily pass into one another; and sometimes the two members of the relation differ in kind, sometimes only in degree. As in Aristotle’s matter and form the connexion between them is really inseparable; for if we attempt to separate them they become devoid of content and therefore indistinguishable; there is no difference between the idea of which nothing can be predicated, and the chaos or matter which has no perceptible qualities—between Being in the abstract and Nothing. Yet we are frequently told that the one class of them is the reality and the other appearance; and one is often spoken of as the double or reflection of the other. For Plato never clearly saw that both elements had an equal place in mind and in nature; and hence, especially when we argue from isolated passages in his writings, or attempt to draw what appear to us to be the natural inferences from them, we are full of perplexity. There is a similar confusion about necessity and free-will, and about the state of the soul after death. Also he sometimes supposes that God is immanent in the world, sometimes that he is transcendent. And having no distinction of objective and subjective, he passes imperceptibly from one to the other; from intelligence to soul, from eternity to time. These contradictions may be softened or concealed by a judicious use of language, but they cannot be wholly got rid of. That an age of intellectual transition must also be one of inconsistency; that the creative is opposed to the critical or defining habit of mind or time, has been often repeated by us. But, as Plato would say, ‘there is no harm in repeating twice or thrice’ (Laws) what is important for the understanding of a great author. It has not, however, been observed, that the confusion partly arises out of the elements of opposing philosophies which are preserved in him. He holds these in solution, he brings them into relation with one another, but he does not perfectly harmonize them. They are part of his own mind, and he is incapable of placing himself outside of them and criticizing them. They grow as he grows; they are a kind of composition with which his own philosophy is overlaid. In early life he fancies that he has mastered them: but he is also mastered by them; and in language (Sophist) which may be compared with the hesitating tone of the Timaeus, he confesses in his later years that they are full of obscurity to him. He attributes new meanings to the words of Parmenides and Heracleitus; but at times the old Eleatic philosophy appears to go beyond him; then the world of phenomena disappears, but the doctrine of ideas is also reduced to nothingness. All of them are nearer to one another than they themselves supposed, and nearer to him than he supposed. All of them are antagonistic to sense and have an affinity to number and measure and a presentiment of ideas. Even in Plato they still retain their contentious or controversial character, which was developed by the growth of dialectic. He is never able to reconcile the first causes of the pre-Socratic philosophers with the final causes of Socrates himself. There is no intelligible account of the relation of numbers to the universal ideas, or of universals to the idea of good. He found them all three, in the Pythagorean philosophy and in the teaching of Socrates and of the Megarians respectively; and, because they all furnished modes of explaining and arranging phenomena, he is unwilling to give up